Crossings: Journal of Migration & Culture is a peer-reviewed journal that offers a space for debates on the nexus of migration and culture. It promotes diverse global and local perspectives by fostering cutting-edge research in this area, with a strong emphasis on interdisciplinary methodologies.

The course of cultures at both local and global levels is crucially affected by migratory movements. In turn, culture itself is turned migrant. The journal advances the study of the plethora of cultural texts on migration produced by an increasing number of cultural practitioners across the globe who tackle questions of culture in the context of migration. They do this in a variety of ways and through a variety of media. To name but a few relevant aspects of this juncture of migration and culture, questions of dislocation, travel, borders, diasporic identities, transnational contacts and cultures, cultural memory, the transmission of identity across generations, questions of hybridity and cultural difference, the material and oral histories of migration and the role of new technologies in bridging cultures and fostering cultural cross-pollination are all relevant. Methodologies of research include both the study of ‘texts’ and fieldwork.

The current issue (Volume 10, Number 1, 1 April 2019) is dedicated to “Creative engagement with migration“.

The introductory article by Laura Jeffery, Mariangela Palladino, Rebecca Rotter and Agnes Woolley, starts by exploring the ethical, political and empirical reasons for the increased use of arts-based methods in humanities and social sciences research in general, and in migration studies in particular. Next, it evaluates participatory methods, co-production and co-authorship as increasingly well-established practices across academia, the arts, activism and community work. It then considers how the outputs of such processes can be deployed to challenge dominant representations of migration and migrants. The authors reflect critically upon arts-based methodological practices and on the (limits to the) transformative potentials of using arts-based methods to engage creatively with migration. Sounding a cautionary note, they concede that even collaborative artistic expressions have limits in overcoming unequal power dynamics, conveying experiences of migration and effecting long-term change in a context in which discourse on migration is dominated by short-term political decision-making, and punitive policies force migrants into precarious forms of existence. While the prospect of influencing the political sphere might seem remote, they advocate for the role and power of the arts in instigating, shaping and leading change by inspiring people’s conscience and civic responsibility.

Read full issue here.