Anthropology book carried by Haifa Al-Habeeb, photographed by Jim Lommasson. Al-Habeeb’s Arabic calligraphy over the photo reads: “Alas is today similar to yesterday? Despair, sickness, and foreignness, will my tomorrow be like my yesterday?”
What we carried. Fragments from the Cradle of Civilisation
June 4 – October 23, 2016
Arab American National Museum
13624 Michigan Avenue, Dearborn, MI 48126
Since 2003, more than four million Iraqis have left their homes and relocated in hopes of creating a better future for themselves and their families in a setting free of war and uncertainty. Many Iraqis sought refuge in Syria only to find another dangerous situation. Approximately 140,000 of these refugees have immigrated to the U.S., the majority with nothing more than the clothes on their backs and a small memento to remind them of home.
To document their life-changing journey and shed light on the trials and tribulations refugees experience in their search for stability, renowned freelance photographer and author Jim Lommasson has created a project documenting what it means to leave everything behind.
Lommasson invited Iraqi and Syrian refugees to share a personal item significant to their travels to America, such as a family snapshot, heirloom dish or childhood toy. Lommasson photographed each artifact and then returned a 13″ x 19″ archival print to the participant so the item could be contextualized by the owner. Exhibition visitors will receive firsthand insight into the consideration of what objects, images and memories might be chosen if one was forced to leave his home forever.
The carried objects and the intense personal stories behind them combine in more than 85 images that illustrate the common threads that bind all of humanity: the love shared for family, friends and the places people call home. All of the pieces in this exhibition will be presented in both English and Arabic.
“The object photos and stories can help to break down stereotypes and share our common humanity and help to build bridges,” says Lommasson. “Through my project I realized that the objects and stories helped create an intimate empathy for those of us who saw them. The more powerful understanding is the realization of what was left behind. What was left behind was everything else; homes, friends, family, school, careers, culture and history.”